Immigrant Punk

An interesting and somewhat troubling immigration case has recently bubbled to the surface here in Madison. Tope Awe, a Nigerian-born graduate student at the School of Pharmacy at the UW-Madison, was unexpectedly taken into custody by the Milwaukee office of Immigration and Customs Enforcement last week, and is now being held in the Dodge County Jail awaiting deportation.

According to the Capital Times:

Friends said she had gone to discuss her immigration status. Awe reportedly came to the United States with her family at age 3, and friends said she knows no one in Nigeria.

ICE spokeswoman Gail Montenegro said Monday that Awe was an immigration fugitive with an outstanding removal order against her. Immigration fugitives typically do not have the right to a hearing before deportation, Montenegro said.

The 22-year-old student's father, Samuel Awe, lost an appeal for political asylum in 2003. That decision in the 7th U.S. Circuit Court of Appeals found that Samuel Awe's removal from his 1993-1995 stint as Nigeria's agriculture secretary, reportedly for not paying bribes to supervisors, and accusations that the frequent resident of the United States had ties to the CIA did not rise to the level of persecution.

Samuel Awe, his wife and three children were originally notified in 1998 that they had overstayed their visas, according to court documents. In denying Awe's appeal, the court granted the family voluntary departure to Nigeria.

Tope Awe was in custody Monday at the Dodge County Jail, which contracts with ICE. Also in custody was her brother, Oluwagbenga Awe, also seized on Thursday. He is a recent graduate of UW-Stevens Point and, according to family and friends, is married with a young child.

Samuel Awe and his wife, Julianah, live in the Milwaukee area where he is receiving medical treatment, according to published reports.

It's difficult to get a firm handle on the situation, as the details of the Awe's visa status are still murky. The family claims that the father's B-1/B-2 visa, for business and medical purposes, allows them to stay here until his treatment is finished. It is unclear, however, if 1) the visa applies to just Sam or to the whole family and 2) the visa is good until the completion of treatment. Sam Awe has kidney disease and has been undergoing treatment for it in Milwaukee for a number of years. I can't imagine he'd be able to get the same level of care if sent back to Nigeria.

Perhaps more confusing is Tope's student status. Having lived in Wisconsin for several years prior to enrolling both as an undergraduate at UW-Milwaukee and as a graduate student at UW-Madison, state residency was apparently not a problem to prove. But if the Awe's were notified in '98 that they were supposed to leave the country, how did they manage to stay on (and, for the children, attend state schools) for another 10 years? How did this never come up during enrollment?

Personally, I believe that anyone who has proven a commitment to being a contributing and law-abiding member of society should be granted permanent resident status. The Awe's seem to have done just that, but were instead rewarded with a denial of either an extension to their stay or a path to citizenship. Tope appears to have been an exemplary student, highly involved in campus life and advocacy while pursuing her studies. That she was asked to come in for a meeting to "regularize her residency status," voluntarily complied, and then simply arrested seems sketchy at best.

Still, all of the facts remain to be seen, and for better or for worse, the law is the law. So the trouble may be less that the law was enforced, and more that the law is broken.

This family clearly wanted to stay in the United States, and were, from what I've read, doing everything they could to do so legally. They paid taxes, registered cars, contributed to their communities, and plead their case all the way up to the U.S. Circuit Court of Appeals--only to meet with a door slammed in their faces. I can't blame them for fighting tooth and nail to stay here. Unfortunately, with the way the laws work now, they may have little to no recourse in this situation.

It is heartening to know that a significant number of Tope's fellow students and teachers are going to bat for her, pushing for her to be allowed to stay in the country at least until she graduates in 2009. An online petition has already garnered hundreds of responses, a number of UW officials are advocating for her, and state representatives have at least been contacted about the case.

This all just serves as yet another reminder of how complicated and dysfunctional our current immigration laws are. We really do need to find a way to get past all of the jingoism and knee-jerk reactions to the subject, and find a way to meaningfully debate and rework our policies. Policies that should have nothing to do with xenophobia and "dey took er jerbs!" style fear. We are, after all, a nation founded by immigrants (I'm talking about the nation founded long after the first inhabitants arrived here--which is a whole other story, of course). Ignoring that heritage, willfully or not, is hypocritical at best, dangerous at worst.

Change does not equal death for local music

I read with some interest the recent article in the Badger Herald that pondered whether the Madison music scene was dying or not. I've been in one Madison band or another since 2001. I'm currently in three, but that's a whole other story. What I'm saying, though, is that I feel like I have a decent perspective on this whole thing, and I'm not entirely sure I agree with the article's overall slant toward suggesting that things are getting worse for the local scene.

The author does come around in the end to give voice to those who suggest that the scene goes through cyclical changes, that things are just shifting and not dying, which is the theory I personally subscribe to. Things change. Madison, because of its many schools, is a town of coming and going, so the fan base and the musicians are transitory. Changes in scene are natural, and I doubt very much that we'll ever see a complete (or even near complete) "death." To even suggest such a thing in the title is a bit dubious, if you ask me.

The author cites the recent closings of a number of smaller venues: the Slipper Club, Bru's Anchor Inn, and the Corral Room to name a few. But the location where the Slipper Club was seems to change hands every other year, the Anchor Inn had been having troubles for a long while (and frankly, wasn't that great of a venue--the site lines and nearly non-existent dance floor sucked), and the Corral Room...well, don't get me started on that place.

We do suffer from a dearth of smaller venues, especially all-ages venues. But for every place that closes down, we do seem to get new ones springing up in their wake. We have another very decent mid-sized venue (all-ages, no less) in the Majestic. Places like the Mercury Lounge, Cafe Montmartre, Mr. Roberts, the Annex, Harmony Bar, Crystal Corner, the King Club, The Journey, The Klinic, Brink Lounge, Escape Java Joint, the Dry Bean Saloon, and various coffee shops around town all cater to smaller acts. The problem isn't so much a lack of places to play so much as a band's lack of willingness to put themselves out there and get the gigs.

Of course, the article gets one issue right: lack of attendance at shows. It takes a lot of variables to draw in a large crowd: quality and popularity of a band, competition on any given night, and the high turnover rate of show goers (as in, when students are your primary fan base, good luck filling a show during the summer months). I suspect that a large part of the problem comes from just how many good bands there are in Madison, and how many are playing on any given night. Happily, we've got a lot of options here, but that does make it difficult for any one act to pull in a full house.

I'm glad the article at least gave a small tip of the hat to the ever-growing hip-hop scene in Madison. It's taken some serious hits in the last few years, with artists leaving town and moving on, but there always seem to be some fresh voices coming along to fill in. Add in the First Wave program at the UW, the National Poetry Slam competition coming here next year, and a whole slew of hip-hop centered events to the mix, and you've got a surprisingly vibrant scene for what is, at its core, a small city/big town in the Midwest.

There's still plenty of work to be done to keep the local arts scene alive and well. It seems like there's always something to fight against, to overcome, but the great thing about Madison is that no matter how many clubs close, how many arts publications shut down, there will always be people here interested in making, promoting and listening to music, regardless of how many people turn up for their shows. Just don't say they're dying. It's just change, and if we put forth just a little bit of effort to see it through, it's usually for the better.


(photo credit: yours truly, of God-des & She)